MMXVII

• Dinajpur, after five years
  v·xii·mmxvii »New Age«
  On a visit to Dinajpur after a five years’ gap
• Working with EK
  x·xi·mmxvi »New Age«
  Reminiscence about Enayetullah Khan
• Getting the oar in across memories
  xxvii·x·mmxvii »New Age, Xtra«
  On 65 years’ celebration of St Joseph’s School, Dinajpur
• Rohingyas’ journey to safety into Bangladesh
  xiii·x·mmxvii »New Age«
  On the 2017 Rohingya influx
• In the land of Faiz again
  My travel to Pakistan in 2017 »New Age«
• In the land of Faiz again
  xiv·ix·mmvii
  
• Camaraderie, Café 1947 and faluda
  xv·ix·mmvii
  
• Long gone are the typecasters
  i·ix·mmxvii »New Age«
  On type foundries of Dhaka
• ইদ-ঈদের বিতর্ক
  xxv·vi·mmxvii »Banik Barta«
  On the debate of Id-Eid
• Happy birthday, Professor
  xxii·vi·mmxvii »New Age«
  On the birthday of Serajul Islam Chowdhury
• Zainul Abedin: A man we hardly knew of and cared about
  xx·v·mmxvii »New Age«
  An obituary reference on Zainul Abedin
• Ekushey narrative gone missing on Urdu
  xxi·ii·mmxvii »New Age«
  On majoritarian linguistic aggression.
• Dating the first Bengali block print specimen
  xxi·ii·mmxvii »New Age«
  The paper read at an academic conference at Jadavpur University
• Nostalgia of New Age housed in Holiday building
  vi·ii·mmxvii »New Age«
  On moving out to New Age office on another location

MMXVI

• ‘আধুনিক’ অভিধানের আধুনিকতা
  xviii-xix·xii·xxxvi »Banik Barta«
  A review of Bangla Academy’s Adhunik Bangla Abhidhan, 2016
• সভাপতির -পতিত্ব বিচার
  xix·viii·mmxvi »Samakal, Kaler Kheya«
  On the meaning of the word -pati as a suffix
• Love for a language, respect for others
  xxi·ii·mmxvi »New Age«
  Ekushey post-editorial.

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Rev.: vii·xi·mmxxii